Awarded with a scholarship to study classical music in Vienna, Austria, at 20, he refused it in order to delve deeper in the popular side. Establishing himself in Nova Friburgo, a small town near Rio, for one year and four months, he attended the Nova Friburgo Music Conservatory. At eight, he started to study piano with Brazilian masters Jacques Klein and Aurélio Silveira for a 15-year apprenticeship. Trying to transpose the piano's polyphonic quality for the guitar, he ended several years later with three custom-made instruments (ten-, 12-, and 14-stringed) and a personally developed two-hand technique. Following the piano classical tradition because of his father, he embraced the guitar to please his Italian mother, who was very fond of serenatas. At that time, he also started to learn the flute and the clarinet, eventually taking the violão (acoustic guitar) in his teens. From the Amazon Indians' batuque to the Carioca samba and choro, through the Northeastern frevo, baião, and forró, Gismonti captures the true essence of the Brazilian soul in a way that is primitive, yet sophisticated, and reflects it through his personal vision, elaborated by years of classic training and literacy in a wealth of musical languages in which jazz plays a significant role.Īrvore From a musical family, in which his grandfather and his uncle Edgar were bandleaders, he started to take piano and theory classes at five. He was profoundly influenced by Brazilian master Heitor Villa-Lobos, his works reflecting the musical diversity of Brazil. Egberto Gismonti is world-renowned as a multi-instrumentalist and composer.
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